First, the most magnificent gold and silver art "burning blue" Also known as "Silver Blue" and "Silver", this process flourished in the Qing Dynasty. The silver-blue process is mainly applied to silver trim, which is an art combining the metal tire technology with the blue color scheme. In the northern part of China, the combination of filigree and burnt blue has been used in the production of various types of jewelry and three-dimensional silver ornaments. The blue-burning process of applying a layer of glaze on the silverware injects new vitality into the ancient jewelry. Contemporary artists engaged in the burning of blue crafts have made bold innovations in traditional craftsmanship. On a silver jewelry, they blended the techniques of silk, porcelain, painting, silver and blue, and produced a number of unique artworks. Burning blue is not only more colorful than cloisonne, but also has a great difference in craftsmanship. The blue burning process is first made on the silver tread by techniques such as grinding, hooking and lifting, hollowing and welding of silver filigree. In the pattern, point blue, burn blue, and finally form a transparent transparent silver blue. You must not know that the Nine Dragon Wall and the Temple of Heaven Hall of the North Sea are also masterpieces of burning blue. The dragons of different colors in the Nine Dragon Wall are the perfect expression of the unique artistic effects of the blue burning process. Second, the most complex comprehensive art "cloisonne" Cloisonné, also known as “copper tires and silkwormsâ€, is the most famous traditional craft in China. Because it was popular during the Ming Dynasty, the production techniques were relatively mature, and the enamel glaze used was mostly blue, hence the name “Jingtailanâ€. . The production process of cloisonne is a comprehensive art, which is the crystallization of art, craft, sculpture, inlay, metallurgy, glass smelting and other technologies. Its production process is sophisticated and requires more than 10 processes such as design, tire making, silking, blue, burnt blue, grinding, and gold plating. Cloisonne is one of the most traditional export crafts in China. The old cloisonné artwork was designed for the royal family to enjoy. It is a symbol of power and status. In the Forbidden City and Royal Garden of the Former Royal Land, we can also see the few cloisonne art treasures left behind. Nowadays, the development of cloisonne art has experienced the changes of the times. With great development, it insists on the characteristics of all hand-made, and the design of modern fashion elements is more popular among people all over the world. Third, the longest history of the carving process "Jade carving" The Chinese jade carving craft has a long history of continuous development for more than 7,000 years. It originated in China, matured and prospered in the feudal society. It has produced countless skilled craftsmen and made countless jade carvings. These jade carving masterpieces not only use the rewards of emperors, dignitaries and connoisseurs, but also be interpreted by ritualists to become special works of art with political, religious, moral, cultural, wealth and other connotations. This is Chinese craft culture. The only phenomenon. Jade carving craft is a relatively complicated craftsmanship. The unique beauty, taste, style and value of each piece of work are not only revealed by the content and form of jade carving art, but also by the use of jade materials and tools. Fourth, the most magnificent palace art "filament inlay" The filigree process, also known as the fine gold process, first began in the Shang Dynasty, and the small silver headdress made in the late Western Han Dynasty began to prevail. In the Ming and Qing Dynasties, the filigree process was praised as one of the eight attractions of Yanjing. The filigree craftsmanship is rare and the craftsmanship is complex. It has always been a royal imperial object. It belongs to the court art and is also one of the traditional crafts of traditional luxury goods in China. It has been listed as a national intangible cultural heritage by the Ministry of Culture. The filament process is also called the fine (xÇ) process. The wire process is to draw gold, silver, copper, etc. into filaments, and then shape them by pushing, crepe, weaving and other processes. It can be welded on the gold and silver square pieces to make the bottom support. The pearls, crystals, white jade, jade and other jewels can be fixed on the gold and silver jewellery at different angles according to the needs of the craftsman design. It can also be independently shaped to decorate a creative composition. In the details. Fifth, the most traditional metal carving art "engraving" The history of engraving this traditional craft is much longer than that of the filigree process. It began in the late Spring and Autumn Period and prevailed in the Warring States period. The production techniques of carving and engraving on gold and silverware were mainly engraved and engraved. Engraving adds a lot of highlights to the work with its unique artistic charm. Different engraving techniques make the variety of patterns on ancient and modern gold and silver instruments rich and varied, such as peony, chrysanthemum, eight immortals, fairies, birthday stars, unicorns, dragons and phoenixes, birds, landscapes and other traditional Chinese styles. Because the operation process of the engraving process is relatively complicated and technically difficult, the craftsman is required to have a high comprehensive quality. It requires not only the foundation of painting and sculpture, but also the fitter, sheet metal, casting, welding, etc. Professional technology, there must be a certain understanding and appreciation of traditional culture. The engraving process in history is mostly carried out in the form of the master's apprenticeship, and the people who have developed this skill to this day are more and more rare. Sixth, the most energetic craftsmanship "point green" As a craft of ancient jewellery, Dian Cui has a long history and can be traced back to the Warring States Period. Point Cui first needs to collect Cui Yu, which is the feather of a brightly colored kingfisher, and then it is to build a living. As a traditional gold and silver jewellery making process in China, due to its complicated production process, the finished product is very difficult to preserve and the kingfisher feathers used are rare, and the traditional craftsmanship caused by environmental protection is almost lost. Most of the modern jade crafts and ornaments that have been seen in the Qing Dynasty have been handed down from the Qing Dynasty. The development of the Dian Cui craft reached its peak during the Qianlong period of the Qing Dynasty. Point Cui is the perfect combination of traditional metal craft and feather craft in China. It is made of gold or gilt metal to make different patterns of the base, and then the beautiful Turkish blue feathers on the back of the kingfisher are carefully embedded in the seat. Jewelry utensils. It is said that Cui Yu must be taken from the living kingfisher to ensure the bright and colorful colors. According to the different parts and crafts, Cui Yu can present different colors such as banana moon, lake color and deep navy. The emerald blue and snow cyan are top grades, plus the natural texture and magical light of the bird feathers. The whole work is rich and varied, and it is magnificent and lively. Seventh, the finest gold and silver carving process "gold and silver wrong" The gold and silver wrong process first began in the bronze wares of the Shang and Zhou Dynasties, mainly used for decorative patterns on bronzes. The expression method is to draw a delicate pattern on the surface of the object, draw a groove in the shape of a pattern, draw pure gold or sterling silver into a filament or press it into a pattern, and then polish it and polish it. The gold and silver wrong craft is the product of the combination of copper culture and iron culture. Because there is no hard ironware, it can't be finely carved on the bronze. With the glory of the bronze age, the gold and silver wrong craft has gradually withdrawn from the historical stage. . However, when these old gold and silver wrong crafts were seen again, the whole world was dumped for this exquisite art. Nowadays, the gold and silver wrong crafts have been continuously restored by the masters of contemporary arts and crafts. Ningbo Innovate Imp. & Exp. Co., Ltd , https://www.nbinnovate.com
